| # |
START TIME |
ARTIST |
TITLE |
VERSION |
LABEL |
0:00, K Theory // Acapella // Dree - Fuck The VIP , Good & Gone, Original Mi
Simplify Recordings,
04:08, Funk Ferret, Whole Loada Shizzle, Original Mi
Riddim Fruit Records,
07:39, Mosen // Acapella // Young Gunz Feat .Chingy - Cant Stop Wont Stop, Litle Funker, Original Mi
Braslive Records,
, 10:24, Matroda // Acapella // Outkast Feat. Slick Rick - Da Art Of Storyeliling, Message From Titan, Original Mi
DNCTRX,
, 15:05, Lethalness, Let's Get Wonky, Gruff Remi
The Pooty Club Records,
, 17:17, Habstrakt // Acapella // Temptations - My Girl , Get Funky, Original Mi
Never Say Die Records,
, 20:21, Crazy Daylight // Acapella // George Thorogood - Bad To The Bone, BJ ...
0:00, K Theory // Acapella // Dree - Fuck The VIP , Good & Gone, Original Mi
Simplify Recordings,
04:08, Funk Ferret, Whole Loada Shizzle, Original Mi
Riddim Fruit Records,
07:39, Mosen // Acapella // Young Gunz Feat .Chingy - Cant Stop Wont Stop, Litle Funker, Original Mi
Braslive Records,
, 10:24, Matroda // Acapella // Outkast Feat. Slick Rick - Da Art Of Storyeliling, Message From Titan, Original Mi
DNCTRX,
, 15:05, Lethalness, Let's Get Wonky, Gruff Remi
The Pooty Club Records,
, 17:17, Habstrakt // Acapella // Temptations - My Girl , Get Funky, Original Mi
Never Say Die Records,
, 20:21, Crazy Daylight // Acapella // George Thorogood - Bad To The Bone, BJ Instigator, Original Mi
Adapted Records,
, 24:27, Elonious // Acapella // Fall Out Boy - This Aint A Scene Its An Arms Race, Abaia, Original Mi
Tycho Records,
, 27:36, Mosen // Acapella // Lauryn Hill - Doo Wop , Sax And The City, Aron Remi
Braslive Records,
, 31:30, Mongoose, Mrs. Mongoose, Original Mi
Adapted Records,
, 33:40, Sola Rosa // Acapella // Liberty X - Just A Little, Del Ray, Thomas Blondet Remi
Melting Pot Music,
, 37:13, Sola Rosa, Turn Around feat. Iva Lamkum, Dublex Inc Remi
Melting Pot Music
41:03, See I , How We Do, JPOD The Beat Chef Remi
N/A,
, 44:00, Retrospect (UK), The Funk feat. Captain Crunch, Original Mi
Play Me Too Records,
, 48:25, K- Lab, Need to know , Blunt instrument Remi
Bianco & Nero,
, 51:19, Varien // Acapella // Utah Saints - Funky Music, Nights in Bangalore, Dirt Monkey Remi
Play Me Records,
, 54:50, K Theory // Acapella // Crooklyn Clan - Bounce One Time, Magic City, Original Mi
Simplify Recordings,
, 58:02, JFB // Acapella // Yes - Leave It, Wobble And Squeak, Original Mi
Freshly Squeezed Music,
, 60:57, The Dancefloor Outlaws, Regulate, Original Mi
Disco Cakes,
, 64:38, Gangsta Fun, California 2012, Kicks n Licks Remi
NoisyDubs,
Hello everyone this is actually a Glitch Hop mix but Breakbeat was the closest to it genre wise on the site to post in so i put it here. Glitch hop has roots in breaks anyway so its not far off. The mix is 106 BPM, with allsorts acapellas.
For those not familiar with Glitch Hop heres some useful info on it from Wiki...
What is Glitch hop?
Glitch is a style of electronic music that emerged in the mid to late 1990s. It has been described as a genre that adheres to an "aesthetic of failure, " where the deliberate use of glitch based audio media, and other sonic artifacts, is a central concern.
Sources of glitch sound material are usually malfunctioning or abused audio recording devices or digital technology,
such as CD skipping, electric hum, digital or analog distortion, bit rate reduction, hardware noise, computer bugs,
crashes, vinyl record hiss or scratches and system errors. In a Computer Music Journal article published in 2000, composer and writer Kim Cascone classifies glitch as a sub-genre of electronica, and used the term post-digital to describe the glitch aesthetic.
History of Glitch hop
The origins of the glitch aesthetic can be traced to the early 20th century. Later musicians and composers made use of malfunctioning technology, such as Christian Marclay who used mutilated vinyl records to create sound collages beginning in 1979.
Nicolas Collins's 1992 album It Was A Dark and Stormy Night included a composition that featured a string quartet playing alongside the stuttering sound of skipping CDs.
Glitch originated as a distinct movement in Germany with the musical work and labels (especially Mille Plateaux) of Achim Szepanski. While the movement initially slowly gained members (including bands like Oval), the techniques of Glitch later quickly spread around the world. Trumpeter Jon Hassell's
1994 album Dressing For Pleasure a dense mesh of funky trip hop and jazz features several songs with the sound of skipping CDs layered into the mix. Aphex Twin and Autechre were also influential.
Show More
Show Less